About My Teaching

What I Will Teach You

When I was a little boy, I was known to say a little phrase pretty frequently when I wanted someone to know that they were not in charge. That phrase was, “You’re not the teacher.” (to be read in a deep North Carolina drawl.)
Well, now I am the teacher, a voice teacher, and when you work with me, that is exactly what we will focus on first: your voice.

In vocal training, one of the greatest temptations for client and teacher alike is to jump right into material, get a list of songs and learn them.

What good will it do you to learn a song (or ten?) when you’re still mystified about how to use your voice?

Your voice is an incredible instrument, and it has an unbelievable intelligence all its own. Developing a great vocal technique is really a matter of getting out of the way and letting your real, natural voice emerge…uninhibited.

To do this, I teach you (and use for myself) an old school, classical bel canto understanding of how the voice works.

The method of singing that arose out of Renaissance Italy is in my opinion the simplest and best method for creating a healthy, flexible, and expressive voice. When this understanding is your technical default setting, you can sing in other styles (or musical dialects) very easily.

Your training with me will be will be focused specifically on your goals as a singer. I teach working professionals as well as beginners, so wherever you are on your journey as a singer, I will give you the tools to get you where you want to go.

Just send me an email to get started. dan@DanCallawayStudio.com

Who Taught Me How to Sing?

I grew up in a small town in North Carolina, Mount Airy. (You may know its claim to fame as Andy Griffith’s home town and the inspiration for many of the references in “The Andy Griffith Show.”)

I had a little solo in a high school choir performance at a Rotary Club meeting one morning. The one voice teacher in our town, Mr. Sandy Beam, heard me sing, called my mom, and told her I should be taking lessons. Still not sure if that was a compliment.

Mr. Beam had big dreams for me, and he was the first person who opened my mind to the possibility of becoming a professional performer.

Long story short, Mr. Beam encouraged (maybe pushed is the word) me to study music in college. After some added support from my great choir teacher Debby Severs Diamont (who also taught me a great deal about music and performing), I went on to earn a BFA in Musical Theatre from Elon College in North Carolina. I had two great singing teachers there, Richard Cook and Catherine McNeela.

After college, I lived and performed in London where I studied with Annette Battam. When I moved to New York City, I continued to study with great teachers like Marianne Challis, Joan Lader, and Gary Kendall.

I also coached with (now) Tony-Winning composer Steve Lutvak and studied song interpretation with Tony Winner Betty Buckley.

Then I moved to Los Angeles where I studied classical technique with Renee Sousa, and I coached with Bill Vendice and Nino Sanikedze at the LA Opera.

My wife, Melissa, and I moved to Greensboro, NC in August of 2014, and I joined to voice faculty at my alma mater, Elon University. It’s wonderful to be home. I will continue my music studies in vocal performance this fall at UNC-Greensboro.

What I’ve Done As a Performer

I am also grateful to have been a consistently working performer, and while I continue to perform, my focus has turned mainly to teaching.

Here is a partial list of past credits:

  • Where’s Charley at City Center ENCORES, Dir: John Doyle, Musical Dir: Rob Berman
  • The Phantom of the Opera, Broadway National Tour
  • Linda Eder on Broadway at the Gershwiin Theatre and on Bravo Television
  • Sweeney Todd at Musical Theatre West Dir: Calvin Remsberg, Musical Dir: John Glaudindi (Ovation Award Nomination for Best Featured Actor)
  • Putting It Together at South Coast Repertory, Dir: Nick DeGruccio, Musical Dir: Dennis Castellano
  • Pippin at the Mark Taper Forum with Deaf West Theatre, Dir: Jeff Calhoun, Musical Dir: Steve Landau
  • The Pirates of Penzance at the Guthrie Theater, Dir: Joe Dowling
  • My Fair Lady at Sacramento Music Circus, Dir: Marcia Milgrom Dodge
  • Jacques Brel is Alive and Well and Living in Paris at Riverside Theatre, Dir: DJ Salisbury
  • I Left My Heart: A Salute to the Music of Tony Bennett at the Laguna Playhouse, Dir: David Grapes, Musical Dir/Arranger: Vince DiMura
  • South Street at Pasadena Playhouse, Dir: Roger Castellano
  • The Most Happy Fella with Musical Theatre Guild at the Alex Theatre, Dir: Calvin Remsberg
  • The Girl Who Would Be King at Riverside Theatre in Vero Beach, FL, Dir: Marcia Milgrom Dodge
  • Jesus Christ Superstar at the MUNY in St. Louis
  • Cinderella at Arkansas Repertory
  • The Caucasian Chalk Circle at the Hangar Theatre, Ithaca, NY.
  • All’s Well That Ends Well, Theatre 1010, NYC
  • One Touch of Venus at the Royal Opera House, London 

I offer periodic musical theatre workshops that feature industry guests and train you in all aspects of musical theatre performance: acting, singing, dancing, and audition/industry tools.

And I’m a member of Actors’ Equity Associaton, the National Association of Teachers of Singing (NATS), and formerly of LA’s Musical Theatre Guild.

Again, if you have any more questions, just shoot me an email at dan@DanCallawayStudio.com.