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Tag: enough

This Still Stumps Me — Introducing my New York Diner Menu Strategy

I have a New York Diner menu strategy.

Before I enter the establishment, I hold a brief meeting with myself. 

I say (in a voice not unlike Ted Lasso), “Self, you’re about to look at a whole mess of choices in this laminated culinary novella.

“There’ll be cherry blintzes, Denver omelets, a chef’s salad, and all kinds of things to sling between your choice of toast.

“Now, before you succumb to a decision stupor, I want you to focus. Focus on that one thing that you’re going to want to chew for the next brief chapter of your life, and with laser precision, you’re gonna communicate that choice to the kind human charged with conveying the gastronomic goods to your gullet. 

“You won’t even need to look at the menu. It’s a New York Diner! They’ve got everything stuffed into that Mary Poppins bag of a kitchen.

“Now go!”

And before I walk into the diner, the decision’s clear:

Some kind of cheeseburger, fries, and a fizzy water.

Speaking of daunting choices, one of the most paralyzing sentences a singing actor can hear is, “Just sing something that shows us who you are.”

It ranks up there with, “Ok, now be funny.”

Um, so you want me to select a song from the standard musical theatre canon that displays the depth and breadth of my multifaceted humanity?

No prob. Here’s that timeless chestnut from Guys and Dolls, “Take Back Your Mink.”

Auditioning is full of opportunities for second guessing, self doubt, and what I call the brain beehive.

They’re casting Carousel, but I’m kinda right for Beautiful, too. And there’s that track in The Prom, but what if I target Godspell? I know. I’ll sing “I Feel the Earth Move” as Carrie Pipperidge in the style of “Magic to Do.” It’ll make all the sense in the world! ?

Telling someone to sing something that shows who they are is like telling a freelancer to “charge their value.”

You can’t charge your value. You’re invaluable.

And when it comes to showing table people who you are, Walt Whitman already said it: “You contain multitudes.”

So, what do you do?

Here’s a list of questions you can ask yourself to make song selection straightforward. (Also works for monologues, one-person shows, and purchases at Target.)

1. Do you love the song? 

Even if you’re a little tired of it, do you have an enduring appreciation and commitment to this tune?

Do you love the text, the story, the melody, the orchestration, its structure, and what you know about its history? This has to be a hell yes before you proceed.

2. Do you love how you sing the song?

Does the song fit you? Are you confident you can sing it with skill and warmth on any reasonably healthy day? Does it highlight the sparkly special features of your voice? Yes? Keep going.

3. Is the song a good choice for the thing your auditioning for? 

If you’re going in for a general meeting, the first two questions will go a long way in helping you choose material that’ll lead to a satisfying experience for everybody in the room.

If you’re going in for a specific show or role, ask yourself —

Is this in the same stylistic world as the show?

Does this solve a specific casting problem? (i.e. I’m singing “The Man That Got Away” with Sally Bowles in mind.)

Is this song familiar enough? You want the table people to pay attention to you singing the song, not the song itself. 

4. If you’re asked to sing a cut, and you’re almost always asked to sing a cut, keep these things in mind:

Structure your cut with a logical beginning, middle, and end.

Craft your beginning so that it establishes you in the world of the song (short intro or starting pitch).

No matter your character’s arc in the cut, remember it’s a loving act to share this story.

Make sure the ending is satisfying and clear.

If you choose material you love, that you sing well, and you’re solving a casting problem, you’re on your way.

If you fill your singing with specificity and open your heart, the only thing that can happen is that you share the fullness of who you are. It feels a lot like nothing, so that’s why it’s so tricky.

If you’ve answered the above questions well, your song choice itself isn’t going to make or break an audition. If you realize a tune doesn’t work the way you predicted, there are thousands more songs. You can make a new choice. 

If it’s you showing up in the song, if you’ve done your work, and you open the door of your heart, the depth and breadth of you will glimmer like the multifaceted jewel you are. 

Because it’s objectively and scientifically true:

There’s only one you, and folks need to hear the story only you can sing.

Love much,

Dan

PS Speaking of audition help, you’re not going to find a more clarifying, actionable, empowering, and useful resource than Audition Psych 101. Led by seasoned actor, author, and one-time world’s worst auditoner Michael Kostroff, there’s now an online course version of it. Also a book.

I took his workshop in LA probably 15 years ago when it was Micheal with a stack of index cards in a little theater in Hollywood. I carry so many things I learned from that workshop with me and share them with students now. 

Get in his universe and turn auditioning into an exciting and joyful experience. It’s completely possible.

PPS You need help with anything? How about how to pick a song? 🙂 …

…or solving that breathing thing or that vibrato thing or that belting thing or that fatigue thing or that what the hell am I even doing with my artistic life thing? I’m here for you. Book a free session with me. Yep. Free. For a lil while, anyway. Summer’s here and I want to help you out. 

Just go to my public calendar and sign up for a time. Whether you’ve worked with me before or not, take advantage of this. I’ll help you out. 

Seriously, a free half hour where you can tell me your singing troubles, I’ll give you some things to do and probably mention your pharynx, and you’ll have tools, and that thing will get better. Do it! It’s a no brainer. 

Sign up here, or bookmark my calendar URL: https://fons.app/@dancallawaystudio/book

And look! the NY Diner Menu explained:

Trapper Keeper confession — you can’t keep all your enoughness in those folders ?️

The older child in the Calla-fam is a sqireller of the first degree. ? 

Laundry comes out with all manner of plastic accoutrements spun out of trouser pockets.

On our way back to Massachusetts from NC, we headed into a Burger King when Noah grabbed my hand and said, “Daddy, I’m sorry I got this.” 

He extracted one of his Gram’s necklaces from his jeans like a sheepish pirate unsure of his calling. ?‍☠️

Gram thought it was a hoot, and the necklace accessorized his Burger King crown very well.

I told Noah I was grateful he told me. I want to make sure our boys know they can tell us anything. I’m working on it.

I recalled my own brief yet intense stent with childhood kleptomania after Matthew Royster told me the items in the Mayberry Mall Kmart lacking price tags were free. 

Even after I learned that this merchandise lesson was bogus, I still struggled with a penchant for purloining Dr. Pepper Bubble Yum.

I even lifted a Trapper Keeper in fifth grade, and to this day I still don’t know what drove me to such an unnecessary and obvious crime. I HAD a Trapper Keeper.

I think the victim of my crime even mentioned, “Hey, my Trapper Keeper looked just like that one.” 

“Oh, really?” ?

I knew what I did was wrong, and I felt ashamed.

As a dad now, I ask — how can I model healthy and whole choices while opening my heart when the boys make decisions that don’t shout health and wholeness? Working on it.

???
Cut to a few days later — we were back home, and I planned a scintillating outing to Weston Nurseries and the Town Forest. It was gonna be plants kinda day.

We did our best to keep the boys’ hands off of the rare exotic species, smelled the nice greenhouse air, and admired a display of geodes in the middle of the ferns.

Jude had a learn-the-hard-way encounter with a cactus, and we picked up a couple of Crotons —

Google said they were fussy roomies, but their bright leaves lured us to take the risk. We’re suckas for colah.

See? They’re pretty. Pray for us.

???

We engaged the next phase of perfect dad-plan day, and we drove toward the Town Forest. And by Town Forest, I mean the KidSpot playground after a definitive vote by acclamation from the back seat.

We got to the parking lot, and before Noah grabbed my hand, he said, “Daddy, I’m sorry I took this rock.”

He produced a beautiful amethyst geode from his coat pocket.

I felt a knee-jerk impulse vomit itself up from my guts to act a little shocked and indignant, but I saw little Trapper Keeper keeping 11-year-old me, and thank God I took a split second.

“Oh buddy, that’s not something that we can take from the store. That belongs to them. We’re going to need to take that back.”

The boys played for half an hour, and then we toodled back down Highway 135. 

We said, “Noah, listen buddy. You didn’t understand. We’re just going to go in, and you can tell them you thought this was a rock that you could collect like you do in the woods.”

Even though we said this, he was still afraid to take the stone back in. He scrunched his little body down as if he were looking for a little cubbyhole to hide in.

It was humbling for me to see his sweet four-year-old heart trying to hide away like we all do.

I said, “Buddy, I’ll be with you the whole time, and everything will be all right, I promise. I’m grateful you told me.”

We walked back into the store, and the woman who’d rung us up, wrapped our fussy plants, and told us about her grandkids said, “Oh no, is anything wrong?”

I gave Noah a little rub on the back to let him know he could talk.

He held out the amethyst and said, “I’m sorry I took this purple rock.”

Before I could launch in with any codependent explanation, the woman said, “Oh, sweetie, where did you pick that up?”

Noah pointed to the greenhouse, and she replied, “You know what, I love how honest you were bringing that back to us. Is it OK if I just give it to you?”

Noah’s face lit up like a gem show, and he nodded his head.

It was a tender lesson that went better than I could’ve imagined, and Weston Nurseries has my business for life. 

And it made me think about things like guilt, shame, hiding, and Trapper Keepers.

How often does the knuckley shame claw grab you when you’ve made an honest mistake?

It’s deep.

And it suffocates our chance for breathing room and growing.

If you just look at singing, shame can

strangle our natural sound; it insists we need to add something,

berates our musicianship; reminds us how adept that cast mate was at everything,

points at the gap between our abilities and an artist’s we admire,

and concludes, “What’s the use?”

This is the thing that stops singers from taking the time to read, mark, and inwardly digest their rep.

Who am I to take this text and these melodies and invest the time to feel what’s real in my guts that would cause me to say these words and sing these notes?

I’ll just copy that real singer who already did it.

That’s the root of meh, forgettable, samey singing. 

We don’t give ourselves the space or possibility to know that our singular voice and point of view is irreplaceable, no matter what Beyoncé circa ’06 said. 

Shame says there’s a right answer, and yours is prolly wrong. You’re wrong. 

When I started college voice lessons, I hit myself when I made a mistake. I open-hand smacked my thigh, volcanic when I missed a note, cracked, or struggled in any way. 

Into my late 30s, I’d get the note, “Dan, lift your eyes, please, we’re losing you in the lights.” I spent a lot of time looking down at the stage. Wanting to share my heart while my body worked to keep hiding.

It was a painful way to live. 

So, what helped?

Here are three things:

Somehow, I got the download that I’m enough, and I believe it most of the time. 

I don’t have a step-by-step on this. I’ve just been super gifted to have beautiful folks in my life who tell me the truth, give me hugs, and call me out with love. I’ve been smart enough to listen.

I ask myself if things feel stressful.

From my heart’s eyes, I look at my thoughts and words.

How do I feel when I believe this? If the answer is “shitty,” I ask if there’s a reframe. Is there a more generous way to see this? Almost always, there is.

I’m grateful for guilt.  

I learned from Brené that shame and guilt are different.

Guilt says “What I did was shitty.” Shame says, “I’m shit.”

When I feel guilt, I call myself to an integrated standard. I cop to the Trapper Keeper and make amends. 

This gut-ouch is there to point me to the whole and healthy human I wanna be who shares love. At the grocery store, in the classroom, and on the stage — all three places a privilege to be. 

So, I invite you to notice when Shame-a-blame-a-ding-dong bonks you on the noggin. 

Reach out to someone you love and trust, and let them remind you who you are. 

Ask them to help you with a little reframe while they’re at it.

And if there’s something you’d like to make amends for, see what kind of steps you can take that are kind and restorative.

With your singing, let me assure you:

you’re more enough than you can even handle. That’s what’s so scary about letting our voice through.

Notice the thoughts that jib jab at you when you sing. Take a little time to see if they’re really true. (Answer Key: they’re not.) 

And make amends with you. The first thing you can try is, “I’m sorry for not letting you sing.” 

Then hum a tune you love.

And always remember — there’s only one you, and folks do need to hear the story only you can sing.

Your enough-ness

Brené Brown wrote, “The opposite of scarcity isn’t abundance; the opposite of scarcity is simply enough.”

This stuck with me. I have lived most of my life believing the former duality.

When I perceived scarcity, I saw the absence of abundance. I was blind to all the enough within and without.

I go back to the story I’ve told about sitting in my car in front of a check cashing joint in North Hollywood crying because I couldn’t even get a usurious payday loan to cover all the bills I had said yes to.

Looking back, in that moment I actually had enough. I mean, here I am right? I made it.

I knew to call a friend and ask for help. This assistance bore no interest and came with a lot of empathy. This friend also didn’t really have a large cushion to spare, and still he lent. He had enough.

Let’s take a second and look in. Yep, your heart, where you really live, the real you that’s not your hair, skin, clothes, eye color, or bank account.

Are you looking? I’ll wait.

Look, you’re enough! How can you not be? You’re a miracle of creation here on this earth skewl with me, learning as you go down the road. How beautiful.

Have you tried affirmations? I swore off of them. (Though I’ve stumbled upon a cool way forward with them that I’ll share soon.)

Yeah, affirmations when you say, “I am all these grandiose amazeballs things,” and your brain says, “Pssshht. Um, look at your resume.”

The thing with I am enough is that you know it’s true. Enough is just right. You’re enough to be reading this, enough to contemplate this, enough to look inside and see, oh wow, there’s a whole lot of enough there.

Yesterday I said that when we sing, we can open our hearts and invite people in. They don’t know what’s in there, only whether or not we are being hospitable. That’s where all that enough lives.

And just think–I invite you in there, you see, “oh, Dan is full of all this enough. Wait a second, I’m a human just like him. I bet I got all kinds of enough, too.”

You would be right. It’s sweet. It’s full of rest. It’s powerful. It burns away the illusion of our separation and better-or-worse-than-ness.

In every present moment, you are enough. I am enough. You have what the moment requires–washing that dish, putting on that shirt, projecting a hello to that person in the grocery store through your mask and squinching up your eyes so they can see you’re smiling.

When you’ve done your prep, when you’ve practiced the notes, when you’ve made the words your words that stand for your images and your thoughts, you can stand in that song and know that you are enough.

Dang, even if you haven’t done all the work, know you’re enough and do a great job. Trust me, I’ve been fooled by many a student 🙂 In fact, you can do all the homework, and if you aren’t on board with your enough-ness, there’s no way anyone else can be. You have to go first.

You. Are. Enough. Promise me you’ll say that today. I am enough.

Because you are, and you know you are.

And maybe somebody needs to see you live that in front of them so that they can get a beautiful clue about their own cozy, infinite, breathtaking enough.

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