Feel Freedom. Love your confidence. Be a joy bomb.

Category: Teaching Videos (Page 2 of 3)

The Vowels You Can Always Depend On

A big misunderstanding theater singers have is when we are told to sing theater music like we speak.

We then dive into our material, trying to sing the words the way we say them, and we run into huge problems when we are singing in a vocal mode that doesn’t agree with the vowel we’re trying to force out of our mouths.

In this video, I’m going to talk to you about two ways of understanding thicker fold vocal coordinations, or metallic modes.

I’m also going to teach you about the very straightforward ways of understanding these modes and the vowels you can use that always agree with them.

This understanding goes a really long way in helping you to maintain consistency in registration and to avoid vocal breaks and cracks where you don’t want them.

You can check out Complete Vocal Technique’s research site here: https://cvtresearch.com/

Why You Suffer Vocal Breakups Part 1 (It’s Not You, It’s [ee])

One of the biggest lies singers suffer from believing is that there’s something inherently wrong with your voice because you’re struggling with cracking or your voice making abrupt transitions where you want them to be smooth.

There are tons of factors that affect why this may be happening, but an understanding of vowels and your vocal tract shape goes a long way in helping you navigate tricky places.

In this video, I’m going to break down two vowels that are major culprits in causing vocal squeeze and cracking — [i]/ee and [u]/oo.

In upcoming videos, I’ll tell you about vowels that almost always help with thicker fold modes in the higher notes, as well as other things to check like body use and breath management if you’re struggling with abrupt vocal breaks where you’re wanting the register to remain consistent.

It’s Not You, It’s [ee] — Vocal Breakups and the Truth About Where the Cracks Really Come From

I got to sing “Marry Me a Little” in a production of Putting it Together at South Coast Repertory about 12 years go, and one night I cracked. Bad.

If you know the song, it’s at the end when it goes “Sooooomeooooone!”

It was an A-flat. Emotion had choked me up, and I was surprised by a sound that came out of my face not unlike an adorable video I saw recently of a donkey reunitng with the girl who raised it as a foal.

The performance was connected and honest, so I moved on.

BUT, the next night you know what happened. 

Oh no. Here comes that note. Why did it crack last night? How do I KEEP it from cracking tonight? More space? More breath? More everything? Yes. More everything. Go!

And, crack again. Only this time self-conscious and NOT connected.

[Enter singer neurosis death spiral.]

There was even a review on a ticketing site lamenting how I started the song so well but just didn’t have the chops to finish it.

(Another reviewer said I was upstaged by my mullet haircut — I didn’t even know I HAD a mullet. They’re in again, right? Or is that over?)

(I guess I was getting a little “party in the back” there.)

Anyway, I didn’t know what the problem was. I didn’t know how to leverage physiology and acoustics to ensure I wouldn’t surprise an audience like a screaming goat video. 

And this wasn’t an isolated incident.

I’ve cracked like a wounded beast singing an aria in a grad school concerto competition hearing.

I pummeled myself with merciless self-talk through many undergrad productions,

and I even cracked once when I sang “I feeeeel you, Johaaaaannnnaaaaaa!” with the orchestra all blasting during a Sweeney Todd in LA. (A musical director I worked with later reminded me of the fact as he had been in the audience. So kind.)

So, I’ve felt the pain of the crack.

And I didn’t get clear tools in my own body as to why this was happening until my late 30s. And when I did, I was ready to preach the vocal register acoustic agreement gospel to anyone who’d listen. 

One myth singers beat themselves up with is that if they’re cracking or experiencing rough transitions where they want them to be smooth, something clearly has to be wrong with them and their voice. Their instrument is faulty.

False.

While yes, sometimes you may need to make an appointment with a laryngologist and get a scope to make sure everything’s scope-acetic, the vast majority of the time, the events we call cracks or breaks happen because of one of two things:

Register confusion

&/or

Vocal tract shape. 

With register confusion, you’re unfamiliar with the categories of sounds your vocal folds make, and you don’t have a ready recognition of what they feel and sound like inside your own head. 

And with vocal tract shape, that just means that the different parts of your throat and mouth have a direct effect on what’s going on in the vocal folds.

(and PS, different registers only cooperate with certain vowels. Some folks say [i/ee] is their favorite vowel, but it’s not going to love you back on every note in every mode.)

It’s enough to get your ears and brain all twisted in a knot, so this week, I’m going to break down the most common snags we hit when it comes to understanding registration and how to collaborate with physics and your physiology.

(It’s almost always counterintuitive and opposite your brain’s perception of what needs to happen.) 

You can follow these mini-lessons on my YouTube channel this week. And while you’re at it, you can check out last week’s videos about how to prepare your audition packets.

The takeaway from this is that almost any technical snag you hit is solve-able, and if you have an evidence-based solution to try, you can show up on a consistent basis, try the thing, and then you get better. 

Now apply this vocal truth to your wider life. I’m working on it, too. 

Example: I sat down to structure a teaching and class schedule for the summer, and my body got all hot, I broke into a mild sweat, and my heart rate went up.

A deep deep part of me that fears making a decision and going with it was responding. Still don’t understand it all, but I was like, “Oh, there’s something deeper holding me back from finishing this very practical task.”

That’s often the way.

And the good thing is that when you just start taking small, practical actions, deeper things unearth themselves in their own time. It’s when you’re in action dunked in sweet compassion that things become clear. 

So, join me on the YouTube (or Instagram or Facebook), I’ll be posting this info on all of the human psychology manipulation platforms. 

In the meantime, sing something, please ?. Because there’s only one you, and folks need to hear the story only you can sing.

Love MUCH,

Dan

PS Here’s “Marry Me a Little” from a faculty recital last year (without the crack this time). Accompanied by the inimitable (and my piano boyfriend) Scott Nicholas.

PPS Here’s that sweet donkey and the girl who raised him video.

PPPS And here’s the YouTube playlist on audition prep so far. Like and subscribe. You know what to do!

Make Your Connection Through Musical Clues and Get Into Your Character’s Point of View

The musical language of a song has so much to tell us about what’s going on inside the character. It’s one of the richest places to look for clues about what’s happening in your internal weather.

When you’re aware of what the composer’s up to, just listening to the collaborating music does so much work for you.

After this layer of work, you’re more than ready so slip in behind the character’s point of view — to use the information you’ve gathered about their life and their circumstances and the musical language to then take a look from behind their eyeballs.

How to Craft Your Singular Connection to Your Material

After you’ve done your preliminary objective work about the material, you’re ready to see how the images in the narrative connect to you personally and on an authentic level.

In this video, I’ll walk you through a few phrases from Sunday in the Park with George to show you the first steps of crafting your own intimate imagery world, and to start to get the images of the song into your own heart so that when you sing it, it’s coming from inside your own experience.

There’s really nothing more captivating than a human sharing their heart in story and song, and I found this way of working to be very straightforward, satisfying, and useful.

It’s also one of the most direct ways to let your body teach your voice what to do moment to moment and style style.

Why you thinking about Channing Tatum? — this thing they warn you not to do can help you after all

Moons ago, my friend Bryan and I wrote a screenplay together and even cooked up a reading at AFI. 

While the script found its way to the 



file, we learned a ton. 

And I look back now and I think, “Dang – crazy what happens when you show up every day and call a bunch of folks.”

On one of our meet-up, procrastinate, and keep microwaving the same cup of coffee seshes, Bryan got an urgent blip blip on his Blackberry.

A friend from his Yale MFA days was in SOS distress.

Bryan called him back, and a carpet-pacing, brow-furrowed intervention ensued.

I heard his friend’s voice rising and falling, saying things like, “But you don’t underSTAND!”

Bryan listened, offering “I hear you,” and “Focus on your lane,” and “What’s the next thing you can do? What can you control?”

Then there was an extended-cut, multi-pitch closing argument. 

My eavesdropping skills detected complaints about studio decisions, agent comments, and actors who got ALLL the opportunities.

Finally, a vein popped out over Bryan’s aforementioned brow. He stopped his classmate:

“Channing Tatum ain’t thinking about you! Why you thinking about Channing Tatum?!”

Bryan’s friend got trapped in the comparey dispairey thornbush. An invasive species, and once you get all up in it, you’re gonna need BandAids.

I’ve Neosporined many an encounter with this prickly customer. 

And before you’re like, “Oh, Dan, I know. I know. Don’t compare myself to other people blah blahhh. It’s like drinking poison and expecting the other person to… wait.

Nope. That’s not what I’m gon’ say. 

What I’m gon’ say is this:

Go ahead – think about Channing.

I said his name three times, so, like Beetlejuice, he appears. 

And just like there’s no way you’ll ever “just get out of your head,” your brain’s always gonna put things side by side and notice differences. 

?
This avocado is a lil softer than that one. Guacamole is tomorrow, so Avocado A.

?
This friend tells you you’ve got Charmin on your shoe, and that one regularly says, “I’m sorry you think I did something wrong.” Smart brain: spend more time with friend #1.

or

?
That Dodge truck driver in my rear view mirror is getting real close. They’re driving faster than anyone should on the Mass Pike. I’ll just proceed at equal speed to this person next to me in the right lane for a spell before I scoot over.

(I’m a New Englander now – the closer you tailgate, the slower I drive.)  

Your brain’s a compare specialist; it could pundit on PBS Newshour weighing oat milk prices in one segment with a tight segue to Rotten Tomatoes ratings of Channing’s oeuvre. 

But Dan, “Comparison is the THIEF of joy!” 

Can be, yes.

All depends on what exit you take off the Pike once you’ve thwarted Dodge’s speed agenda for an acceptable distance.

One exit we jerk the wheel toward is Envytown (cue “Funkytown” hook.) 

? Gotta make a move to a town with spite for me.

This is the strip mall-hedged boulevard where your brain indeed heists your joy – you couldn’t resist this exit. No one could. 

There was a Sheetz AND a Wawa – you could grab a 1200 calorie Fluffer Nutter shake followed by your pick of TastyKakes. 

Envy is wanting what someone else has —

Their job, their fitness, their singing skill, their travel, their recognition, their success.

I’ve envied all of these.

Just the memory of my innumerable I-want-what-you-gots squeezes my under-ribs. Oof.

Not my favorite zone.

It’s the Sheetz Shake and the TastyKake diminishing returns binge, a sugar crash, and what-chemicals-did-I-just-ingest? film on your tongue.

Envy leaves you similarly empty-full and ill-nourished. 

The good news? Comparison has other roads you can take. See? You even need comparison to choose your route.

There’s the turn-off to Admiration-ham (I’m in Mass now. So many ‘hams.) 

That looks like, “Wow, Lin Manuel, you wrote “Dos Orugitas” AND all that music in Vivo? I can’t get that outa my head. And we don’t talk about Bruno no no no…. Ah! Stop!”

There’s also the road to Reverence-cester – (pronounced Roostah). 

When you revere something or someone, you show deep respect. 

That’s like this:

Mr. Sondheim.

And speaking of names of German origin, there’s the village of Freudenfreude. 

Joy-joy (as opposed to schadenfreude which we learned from Avenue Q means harm-joy, or what I’d feel if that Dodge got pulled over.)

Freudenfreude is when you find joy in other people’s good fortune. 

I’m remembering a jig I did in a voice lesson last year when our collaborative pianist got her doctoral tuition fully funded. ? Go Katie! We miss you.

But wait. We’re not done thinking about Mr. Tatum just yet. 

What about the times when you in fact want the thing the other person has? Maybe even want them not to have it. We’re all humans here.

?️ Here’s a map to another town. ?

Ask yourself —

What will having this thing do for me?

and

Can I be sure that if I had their thing it’d yield the result I think?

See what answers bubble up for you.

You might see yourself possessing that shiny doo-dad and notice you’re looking ahead for a shinier one. Hmmmm.

Or,

you notice living your own version of the thing would be terrific and satisfying. Then you have some crucial information. 

You have an exciting thing you can work backward from, make a system, and start showing up. 

And it’s when you start showing up every day — singing the exercises, writing the story, getting melody ideas down, calling your friends for the thing – that’s when you can follow Bryan’s advice and start thinking about YOU. 

Because it’s then that you’ll be able to give the one and only you – and folks need to hear the story only you can sing.

Love much,

dan 

ps here’s another video from the BoCo vault — a vocal exercise framework that you can use for yourself. It’s set up so you can take the principles and make up your own stuff. 15 minutes. You can pair it with the silly and effective voice and body warmup I shared with you last week. 



If these are effective for you, go head and download for yourself in case the Google Drive does weird stuff or I change the videos.

pps I’ll keep you posted about how my fruitless Channing Tatum GIF searches affect my social and ads algorithms :). 

ppps and my friend Bryan (Terrell Clark) does great things. Check him out.

you surprised? ? — threats of compulsory minimalism and soul gnawing envy on the Boston streets

I’m always making idle threats that I’m going to do a pre-parenthood Marie Kondo guerilla house sweep. The boys’ toy supply will have two wooden blocks, a panel of fabric, and a meditation chime.

Seismic rage rumbles in my guts when I try to knock some order into the pile of plastic wheely things crammed behind our sectional.

For some reason this doesn’t bother Melissa.

What? This is right next to our window. Janet across the way can see right in here. The producers of Hoarders will be ringing our doorbell any day. 

This is why when Melissa asks me if I need anything when a birthday approaches, I almost always say, “Just hugs.” 

We don’t need more stuff, y’all! 

But then the boys brought me a package before my birthday last December, and life changed.

Inside? A gray backpack.

But I already had a backpack. 

Okay, it didn’t fit all my stuff. It was hard to fish things out of. My lunch bag rarely fit. And I walked the Boston streets consumed with side-pocket envy because mine would slowly extract my coffee cup and expel it onto the sidewalk with a violent clang.

But then I unzipped the new arrival and saw — it was a pocket extravaganza. A compartment kaleidoscope. All manner of organizational coordinations appeared in my dreamscape.

Then I felt immediately overwhelmed. 

How would I keep up with all these pockets? Surely one day while searching for a hole-punch, I’d exhume an ossified tube of chapstick wasting away for decades beneath a desiccated turkey sandwich. 

But I took a deep breath and gave it a try. 

And now just call me Professor Poppins – ready to procure music stands, full-bound scores, and yoga balls out of my satchel on demand. 

This backpack made my life better. 

It’s something I didn’t know I wanted, and every time I slide my laptop into its cozy pouch, give it a zip, and sling its padded back panel against my scapulae, life smells like a new delux box of Crayolas.

You had any backpacks in your life? I hope so. 

The master’s students and I were talking in class last week — how you make a plan so the plan can change. You make a framework so there’s a structure that flexes with surprises. 

I notice a lot of folks on the YouTubes and the like saying, “Make a PLAN. Glue pictures to cardboard. Tape it beside your bathroom mirror. And then go make that shit happen! Go!”

Smash Your Comfort Zone! Level Up! Best Life!

And yes, I do believe that we humans need things to look forward to. Seems it’s a crucial battery for well-being.

But what’s more important is that while we’re smearing Elmer’s Glue on the back of that cut-out feature from Architectural Digest, life might have a nondescript gray backpack waiting in a box. 

In that master’s pedagogy class, I was crying (again) because I was sharing how life can nudge, prod, and pinball you exactly where you’re supposed to be.

? The job I have now? I didn’t even know it was a thing until my friend Val sent me the ad. (She should be running a head hunter side hustle while she music directs the national tour of SIX — go ahead, Val.)

? The home we live in now? It wasn’t on the market when I scurried around Boston trying to find a two-bedroom without 47 death stairs to the front door or a “cozy charming study” that smelled like room temp bleu cheese.

Only after we lost the workable overpriced place did my friend Lydia rage-search the MLS and see this spot had just appeared 20 minutes before.

❤️‍? And I definitely didn’t plan to be anything other than a solitary music monk for the rest of my life when ride-or-dies Kaye, Kim, and Ryan convalesced my pulverized self in their Valley Village guest room and Humpty Dumptied me back together again – I had zero coupling aspirations when I met Melissa in their backyard. 

The best things in my life came as surprises, and they came because of the people around me. 

So, for you today, a reminder and a question.

First the reminder: ? You can trust life to carry you where you’re supposed to be. Be smart, grab something that floats, and hang on. 

And a question – 

? And are you sharing surprises? If you’re loving the folks around you, the surprise sharing will prolly just happen.

So yeah,

✅ Okay with surprises? and

✅ Are you sharing them when you can? 

Two simple Qs that’ll help that backpack you’re carrying feel a little lighter — AND hold your coffee!

And always remember there’s only one you, and folks need to hear the story only you can sing.

Love much,

dan

ps here’s a short warmup framework video I made for my BoCo kidz –

warmup is what we do to get our bodies ready to sing. You don’t need a piano. You just need you, some space, and the ability to make some noise. 

pps You know I’m writing a book? There might be videos too. We’ll see. It’s about singing. And life. And joy. And healing.

And it can also be about something you wish someone would put in a book about singing and life and joy and healing.

So why don’t you write me back and tell me, “You know, Dan I think you should really tell people about this in the book about singing. No one ever talks about this.”?

Maybe I’ll write you a chapter about it ✍️. Hit reply, and lemme know!

ppps I’m not gonna leave you hanging on the backpack. It’s a Matein.

What If Your Brain Became Your Singing Bestie? (? = ?BFF)

How many teachers or well meaning actory friends have advised you to turn off all that mental chatter and just focus on, I dunno, an imaginary scene partner?

I’m not gonna tell you to do that. If you find a way to do it, let me know, though it sounds boring. Unabated mental yammering has kept my noggin entertained for over forty years.

In this video, you’ll find out about tools and gardening references that’ll help you

  • watch your thoughts like Jason Bourne clocks a crowded street peppered with secret snipers
  • slow your roll like someone just hit play on the Barry White Spotify radio and handed you a nice glass of Trader Joe’s vino
  • Understand how welcoming that pesky friend in is sometimes the quickest way to help them find the door
  • learn the counterintuitive, annoyingly simple way to poke your way out of almost any pickle
  • level up to black belt in one trait that’ll help you speed up your progress (also annoyingly simple)
  • practice the one body move that’ll smear icing on all this cake

All this and a stretchy reference to THE MUSIC MAN to boot. ?

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